I love my sound supervisor. Joe Milner at Puget sound isn't just one of the most talented sound editors and mixers around, he just happens to be one of the coolest people I have met this year.

Joe sends me fun emails that always seem to make my day. All of the post production people loved the subjects of the film, and would often comment about various entertainers. My colorist loved hearing stories about Bob, one consultant couldn't get enough of CJ, and TL always seems to have fans. My favorite comment about Robert, the Deaf Man of 1,000 Faces came from our Foley team that Joe was working with. I always knew Robert was an extremely cool, hip guy, but this came from a pro who has worked on hundreds of films.

From Joe Milner, Sound Supervisor 07/30/08

OK, Robert will like this one:

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As I finally sit down to review the 3,000+ photos of Chris Voelker’s photo shoot, I find it impossible to narrow it down. I think on the question that I am often asked: Who is my favorite? My response is usually “That is like asking me to choose whom my favorite child is. Very Sophie’s Choice.” All four are equally important to this documentary, like four table legs that are needed to support a table. If any of the legs are missing, the table goes lopsided. I actually think I have a better answer below. There are favorite moments of each that I enjoy the most:

I think I like interviewing TL the most – I just turn on the camera and she can talk for an hour, opening up, crying, laughing, spilling her guts – all unprompted, candid and honest.

I like filming CJ’s shows the most – watching the audiences laugh so hard that they cry. I love when I film him discovering something on stage that is a comedic accident, making the audience laugh all over again.

I like catching Bob when he isn’t aware that he is being filmed. He is so proud of his show, his work, and filming his delight in telling anyone who will listen is just a joy.

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This is hard. I always knew producing this feature film would be difficult. But the driving motivation to tell my subjects' stories outweighed all of the challenges along the way. There were many highlights and challenges along the way. Here are just a few:

The highlights so far:

• Discovering filming our entertainers through windows –starting with Bob’s house the first night Ed arrived. The lighting looked beautiful – and matched with photographer Chris Voelker’s window frame idea for the publicity shots. [Note: this idea was dropped in the final film, but a few hundred teaser postcards were handed out with this original concept.]

• Beethoven’s Nightmare – watching an audience member's face in sheer glee flicker in the stage lights, then realizing he was deaf blind. I saw how much he enjoyed TL's performance and pulled her over after her set. TL's hair for the show was crazy wild - with pipes, feathers, tubes and dreds tied in all over her head. She allowed the audience member to touch her hair, and he gave me one of the most memorable interviews of the evening.

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